Spider-Man: Far From Home

Spider-Man: Far From Home follows on from the events of Avengers: Infinity War and Avengers: Endgame and deals with the consequences of the events in those films. It’s probably best seen as an epilogue to those films and, this being the case, I don’t think I can talk about this film without spoliering the films that have gone before.

So if you haven’t seen the Avengers films, I suggest you stop reading now.

If you have seen everything up to this point, or just don’t care, there’s more after the jump.
Continue reading “Spider-Man: Far From Home”

Men in Black: International

I really liked Pawney. This pocket-sized alien, voiced brilliantly by Kumail Nanjiani had the best lines and the best jokes and was, by far, the funniest character in this film. And the fact that a one-joke CGI comic relief character was able to upstage both Tessa Thompson and Chris Hemsworth, who formed such a great double act in Thor: Ragnarok, rather neatly sums up Men in Black: International.

Men in Black: International revolves around Agent M, played by Tessa Thompson, who has finally found her way into the MIB organisation after a childhood encounter with an alien. She is promptly sent to London where she manages to pair herself with the reckless but heroic Agent H (Chris Hemsworth). We have threats aplenty, a suspected mole in the MIB organisation and a whole bunch of subplots that don’t really go anywhere.

It’s been a few years since I watched the original Men in Black but if I remember correctly, that film didn’t make a huge amount of sense. What it did have going for it, however, was Will Smith and Tommy Lee Jones and — probably most importantly — a director that was willing to stand back and let the two leads develop a chemistry that is unforgettable.

The problem that Men in Black: International has is that there is just too much plot, which insists on constantly reminding us that none of this makes much sense. This is not helped by the fact that the scriptwriters don’t appear to have been able to decide whether the film is about the rookie Agent M or the failure and redemption of Agent H. Consequently, the focus keeps switching and the plot threads keep clashing in a manner that makes it a bit of a struggle to enjoy the ride.

Men in Black: International isn’t a bad film, it’s just not a particularly good film either. The film is at it’s best when Tessa Thompson and Chris Hemsworth are allowed to bounce off each other and recapture the sense of fun that so imbued the original film. But all too often they are dragged down by an overly convoluted plot that frequently serves only to suck any and all the life from the film.

Avengers: Endgame

May 1st — Labour Day — is a public holiday in Belgium so, on Wednesday, wee all trooped to the nearest Mutiplex to see Avengers: Endgame. The reason we made the trip to the multiplex rather than the smaller, cheaper and close cinema we normally go to is that they were screening an Avengers: Endgame Marathon. This comprised of a double bill of Infinity War immediately followed by Endgame, or six hours in front of a big screen. It was fun, and an excellent way of reminding ourselves of the events that led up to Endgame.

I was expecting this to be a single film in two parts, but it really isn’t. The Thanos storyline is closed off very quickly and we jump forward five years to find what’s left of the Avengers trying to deal with the ongoing fallout. Things pick up with the return of Ant-Man, who has been trapped in the Quantum Realm for the past five years, and he’s come up with a plan.

What follows is less of a film and more a series of sub-plots as various Avengers dash through time and space as they try to reverse Thanos’ actions. Much of this involves returning to the events of previous films and allows several of the characters to bring their story-arcs of the past decade to a close. I don’t think it’s a spoiler to say that not all of the Avengers survive and, of the survivors, it’s quite possible that some of them will hang up their capes after this.

In many ways, then, Endgame is a long goodbye to the characters we have been watching for the past decade. That’s not to say that the film isn’t entertaining, it is. And, of course, things come together for the inevitable climactic battle which is both well executed and thrilling to watch.

For me, Infinity War is the stronger of the two films, but Endgame continues to maintain the high standard we have come to expect from Marvel and provides a solid send-off for the original Avengers. I look forward to seeing where they go from here.

My Spoiler Senses are tingling

Avengers: Endgame is out and… I haven’t seen it yet.

May 1st is a public holiday in Belgium and a local multiplex is showing an “Endgame: Marathon”. We have nearly six hours of superhero antics to look forward, starting with Infinity War and then, after a short popcorn break, we are straight into Endgame.

We thought it would be wise to book the comfy seats.

This is all well and good, but I hadn’t realised just how many sites I visit that carry potentially spoliery content about the latest blockbuster. I have managed to avoid seeing any spoilers so far, but it has been a bit of a challenge.

Still, only two more days and then I can go back and look at all of those articles in my RSS reader that are currently sitting there screaming “Read Me!”

Shazam!

DC has finally made a Marvel movie. Almost.

Shazam! is a film that is both silly and self-aware enough to know just how silly it is. This makes for a fun, and frequently funny, film about a 14 year old boy becoming an adult superhero, and behaving exactly as you would expect a 14 year old boy to behave.

The 14 year old in question is Billy Batson who was separated from his mother in an amusement park when very young and never reunited. Young Billy has spent the subsequent years bouncing from foster home to foster home until he ends up being taken in by Rosa and Victor Vasquez where he joins the five other foster children under their care.

Following a run-in with a pair of local bullies, Billy finds himself face to face with the last of the wizards charged with protecting the world from the Seven Deadly Sins, who also happens to be looking for a champion. And 14 year old Billy becomes Shazam — a 14 year old boy in the body of a 30 year old superhero.

Billy immediately turns to Freddy, his superhero enthusiast of a foster-brother and the pair begin, hilariously, to determine what Billy’s new-found powers actually are, as well as explore how much they can get away with when one of them looks like an adult.

Every superhero film needs a villain and, in this case, we have Dr. Thaddeus Sivana who, at the start of the film, was found to be not pure enough of heart to become Shazam and has spent the subsequent 20 years trying to steal the powers for himself. There wouldn’t be much of a film if he didn’t manage to achieve this.

If you have young kids, be warned that there is one scene involving Sivana, the gargoyle-like demonic beings that represent the Seven Deadly Sins and a boardroom invasion that may prove a little bit too intense.

That aside, Shazam! manages to be a light-hearted film about finding a family and one that isn’t afraid to poke fun at both itself and every other superhero film that has preceded it. Billy and Freddy are both well developed characters that carry the film very effectively, along with Zachary Levi’s antics in the role of Shazam.

Obviously, this is a superhero film and inevitably ends with superpowered characters hitting CGI monsters, but the film works best as a cross between a buddy comedy and a coming of age movie that just happens to have a superhero in it.

Captain Marvel

After more than ten years, Marvel still can’t put a foot wrong. And with Captain Marvel, they remain spectacularly on form.

As the film opens, we meet our eponymous hero as Vers, a warrior hero of the Kree civilization, which is locked in a war with the shape-shifting skrulls. Vers, however, also suffers from unexplainable dreams — or possibly, flashes of memory — of another life as a fighter pilot. Inevitably enough, Vers ends up on planet Earth in 1995, where she meets a very young Nick Fury and starts to establish who she is… and who she was.

As the film progresses, loyalties shift and Vers finds herself forced to question everything she thought she knew. This makes for a film with a much more science fiction feel than superhero films often manage.

I am, of course, well aware of the fact that many — if not all — superhero films are packed with plenty of SF tropes, including impossible technologies, alien powers and all the rest. However, these films tend to follow a formula more inspired by heroic fantasy — bad stuff happens until the mighty hero turns up to save the day.

For me, Captain Marvel takes a very creditable stab at doing what science fiction can do, which is encourage you to look again at the world and to see things differently.

None of this feels forced and, as a mid-1990s set origin story, Captain Marvel works very well indeed. In this telling, we see the very early days of SHIELD and a very youthful Nick Fury, played by a digitally de-aged Samuel L. Jackson. And I have to say that the CGI manipulation in this case works very well indeed, giving us a very optimistic version of Fury right at the start of his career.

Of course, much depends on Brie Larson’s performance and she delivers in spades to give us a fully fleshed-out character that is both plagued by self-doubt and believably tenacious.

Captain Marvel is a superb addition to the MCU and one that effortlessly slots into the existing continuity and sets us up for an explosive finale when Avengers Endgame is released.

Ferdinand

This is a film that we missed when it hit the cinemas, so we saw it on DVD instead. I’m quite glad that we didn’t go out to see this because it’s quite a forgettable film.

The film centres on Ferdinand, a calf living at the Casa Del Toro academy where he is learning to become a fearless fighting bull. Ferdinand, however, would prefer to smell the flowers. Things come to a head when Ferdinand’s father is picked to fight in the bullring and, inevitably, doesn’t return. And young Ferdinand escapes…

Here’s the thing about Ferdinand. At some point I dozed off and was prodded awake some time later when my snoring became too much for the rest of the family to tolerate. When I woke up, it took a single glance at the screen to know exactly what had happened so far and what I could expect to happen next.

It really was that predictable.

There’s nothing wrong with the film, but nothing right with it either. Ferdinand is very much a by the numbers kids film about being true to yourself that leaves no lasting impression at all.

I don’t regret having seen it, but I can’t see any of us ever wanting to watch it again.

Continue reading “Ferdinand”

The Greatest Showman

This is another film that we missed when it first came out, but it was strongly recommended to us over the Christmas holiday and onto the watch list it went. And it’s utterly marvelous.

The film is highly fictionalised account of PT Barnum, played by Hugh Jackman. The film follows him from his poor, working class roots as he meets and marries the girl of his dreams and finds himself in a stable middle-class job. It’s when he loses this job that the PT Barnum of the title comes to life — sinking money into what eventually becomes the circus for which he is famous. Along the way, he enjoys tremendous success, loses sight of what is important in his life, and comes to his senses in plenty of time for the happy ending.

It’s fair to say that aren’t any surprises in this film, and when I put the DVD in the player I wasn’t expecting a lot. But as soon as the soundtrack started, I was completely carried away.

Hugh Jackman’s performance is outstanding and the supporting cast are excellent. But the main draw is the music and this is superb. Each song is different and all of them are integrated perfectly with the story, making for an uplifting and genuinely happy film about embracing difference and recognising the things that matter. I loved every minute of The Greatest Showman.

This is how all musicals should be made.

The Lego Movie 2: The Second Part

First a disclaimer. When kids films are screened in Belgium they tend to be dubbed rather than subtitled. This is perfectly reasonable, of course, but it does mean that I saw this film in Flemish. The voice actors were different, some of the jokes may well have been changed or just not as good and, if things go very badly wrong for me the possibility remains that I will miss some crucial moment. So, with that out of the way, on with the film.

It wasn’t as good as the first one. Then again, the first Lego Movie did set an incredibly high bar.

This time around, the city of Bricksburg is menaced by an alien horde of Duplo monsters that destroy everything faster than it can be rebuilt. Five years later, everything is destroyed and everyone finds themselves living in the Max Max dystopia of Apocalypseburg. Of the two main characters from the previous film, Lucy the former freedom fighter is having a hard time adjusting while the relentlessly cheerful Emmett takes it all in his stride. And he continues to do so when Lucy and the rest of the leaders of Apocalypseburg are kidnapped by aliens.

I think that my expectations were way too high going in to this film. It’s probably impossible to recreate the originality and anarchic creativity of the first Lego Movie, but this does make an incredibly good attempt at doing so.

There is a lot going on in this film and a lot to like, and when it does capture the manic sense of fun of the first film, everything clicks in to place.

The twist at the end of the first film is more worked into the plot this time around and done in a manner that works remarkably well. If the first film was about father/son relationships, then this one is about sibling rivalries.

It’s also a lot of fun and, if it didn’t have such an illustrious predecessor to live up to, I imagine I would be far more enthusiastic about this one.

Alita: Battle Angel

It’s thankfully rare these days that the special effects can distract from a film, and it’s a pity in this case because there is a lot to like about Alita: Battle Angel. The world in which it is set is intriguing, the characters are reasonably well written and director Robert Rodriguez certainly knows his way around an action scene.

Unfortunately, however, we saw this film in 3D. This is something I usually try to avoid but, this time, forgot to check. This meant that I had to try and balance a pair of 3D glasses over my normal glasses which is not comfortable and which, for the first few minutes of the film, put me in the dilemma of either watching the film in slightly blurry 2D or potentially inducing a headache. I eventually managed to get everything lined up well enough to watch the film but it’s a mildly annoying faff as the 3D doesn’t really add anything.

A more serious problem is with the character of Alita herself, played by Rosa Salazar. Alita is a cyborg and, presumably to emphasise this, Salazar’s appearance has been digitally manipulated — most noticeably to enlarge her eyes — to give her a more ‘manga’ look. Unfortunately, this put the film into uncanny valley territory and, on several occasions, left me with the feeling that she had been pasted into the film. Given this, I think it’s a testament to Salazar’s performance that the character didn’t become completely disconnected from the rest of the film.

The film is set in the 26th Century, some 300 years after a devastating war, and society has become pretty dystopian. Dr. Ido (played by Christoph Waltz) finds the remains of a cyborg in a pile of junk ejected from Zalem, the floating utopia that hovers above the much more downbeat Iron City in which he lives. Dr. Ido salvages these remains, fits her with a cyborg body and gives her the name Alita.

Inevitably, Alita has no memory and must, therefore, find out who she is, where she came from and why she is so proficient at a long lost martial art. This could have become quite ponderous, but Alita is such an enthusiastic character that you just can’t help warming to her — especially when she finds herself up against Iron City’s multiply bladed hunter warriors.

And then there’s the Motorball, the sport of Iron City. Think Rollerball re-imagined as a free for all, with cyborgs. Motorball is quite thrilling to watch and becomes an increasingly significant part of the plot as the film progresses and Alita becomes more focussed on what she must do next.

Alita: Battle Angel is an ambitious film and one that pushes the limits of motion capture technology in order to lift the central character directly from her manga origins and onto the screen. Even when it doesn’t quite hit the mark, the film works as a thoroughly entertaining SF action film, packed with spectacular action sequences and some very strong performances that make even the hokiest dialogue sound believable.

The film’s ending clearly sets it up for a sequel. I hope this gets made.