The number of books I read this year has seen a significant rise on previous years. This is largely due to the fact that I am now commuting primarily by train, which gives me much more time to read.
(A consequence of this is that, my reduced driving combined with the fact that I can now get the BBC World Service on my car radio means that I have, for all intents an purposes, stopped listening to podcasts. But that’s not the point of this post.)
This year I have read a total of 24 books, leaning heavily towards fantasy novels. Two sets of fantasy novels, both of which have proved to be highlights of my reading year.
First up is A Song of Ice And Fire. All seven novels (so far) of George R.R. Martin’s epic tale of Westeros which I started reading in light of the hype surrounding the Game of Thrones TV series. I still haven’t watched the TV but, based on the novels, the hype is very well deserved. This is fantasy that is gritty, dark, messy and muddy and so well written that, regardless of the number of characters and narrative threads, you never once lose track of or interest in the ongoing events.
The other highlight for me was Adrian Tchaikovsky’s Echoes of the Fall trilogy. This is a fantasy series that ignores all of the pseudo-medieval cliches in favour of exploring a bronze age society, populated entirely by shape-shifting humans. It’s a highly original series, packed with engaging and believable characters, that serves to remind me just why Adrian Tchaikovsky remains my favourite living writer.
Also worth a mention is A Matter of Blood, this first part of The Dog Faced Gods trilogy by Sarah Pinborough. Written in 2009 and set in a 2011 in which the ramifications of the financial crash were far more dystopian, this novel manages to combine science fiction, noir and horror into a single gripping package. I already have the next book in the series and will be starting on it very soon indeed.
On the comedy front, I can’t not mention A Game of Battleships, the latest installment of Toby Frost’s Chronicles of Isambard Smith. If the idea of steampunk space opera in which the Sun never set on the British Empire provides a deep mine of comedy gold which, hopefully, will continue to deliver for many more years to come.
Next year, I plan to enjoy even more time on the train, and finally put a sizable dent in my almost-under-control pile of unread books.