Exploitation films: An observation

I watched Piranha again this evening. In this film is a scene in which our heroes find themselves racing to reach a waterside summer camp before the razor toothed horror arrives. It’s a very tense sequence and much of the tension derives from the fact that this is an exploitation film.

Had this been a mainstream film, I would have been watching safe in the knowledge that children and animals will never find themselves in real peril and, therefore, that the heroes would arrive in the nick of time. Piranha, however, is an exploitation film – produced by Roger Corman to cash in on the success of Jaws. And because it’s an exploitation film, all bets are off.

You don’t know whether or not the heroes are going to arrive in time. And it’s this that makes that particular sequence particularly nail-biting.

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